Main Title | Hidden Leaf Story: The Perfect Day for a Wedding, Part 7 - The Message (e185143) |
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Official Title | x-jat |
Official Title | ja |
Play Length | 25 min |
Air/Release Date | 23.03.2017 |
Tags | weddingA wedding is the ceremony where people are united in marriage. Most wedding ceremonies involve an exchange of wedding vows by the couple, presentation of a gift (offering, ring(s), symbolic item, flowers, money), and a public proclamation of marriage by an authority figure or leader. Special wedding garments are often worn, and the ceremony is sometimes followed by a wedding reception. (Source: Wikipedia) |
Resources | |
Rating | 7.50 (5) |
Added by | hidden on 2017-03-02 01:36 |
Edited by | hidden on 2017-03-23 22:20 |
Main Title | Hidden Leaf Story: The Perfect Day for a Wedding, Part 7 - The Message (e185143) |
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Official Title | x-jat |
Official Title | ja |
Official Title | de |
Official Title | fr |
Relation | Song | in Episodes | Rating | Credit | Staff | Comment |
---|---|---|---|---|---|---|
opening | Kara no Kokoro | 480-500, OP20 | N/A (6) | Vocals/Performed by (歌) | Anly | |
Lyrics (作詞) | Anly | |||||
Music Composition (作曲) | Anly | |||||
Music Arrangement (編曲) | Tasuku | |||||
ending | Zetsu Zetsu | 489-500, ED40 | N/A (4) | Vocals/Performed by (歌手) | Swimy | |
Lyrics (作詞) | Takumi | |||||
Music Composition (作曲) | Takumi | |||||
Music Arrangement (編曲) | Swimy | |||||
Label (レーベル) | Ariola Japan |
Credit | Name | in Episodes | Comment |
---|---|---|---|
Direction (監督) | Murata Masahiko | 494-500 | |
Sound Effects (音響効果) | Hasegawa Takuya | 346, 500 | Sound Box (サウンドボックス) |
Editing (編集) | Morita Henshuushitsu | 500 | |
Oikawa Yukie | 500 |
Script/Screenplay (脚本) | Shimoyama Kento | 500 | |
Storyboard (絵コンテ) | Murata Masahiko | 35, 42, 55, 138, 500 | |
Key Animation (原画) | Takahashi Kaori | 3, 125, 292, 481, 500 | |
Ukulele Zenjirou | 3, 291, 500, ED24, ED34 | ||
Uno Ichirou | 3, 480, 500, OP20 | ||
Ookawara Isao | 125, 186, 500, ED37, OP16a | ||
Kuki Aki | 125, 500 | ||
Yoshinuma Hiromi | 291-292, 500, ED24, ED34, ED37, OP16a, OP19 | ||
Tominaga Mari | 291, 500 | ||
Miyaji Yoshifumi | 292, 294, 480, 500 | ||
松本みやこ | 292, 294, 500 | ||
Umemoto Ken`ichi | 294, 500 | ||
Tsumagari Daisuke | 294, 500, OP16a | ||
Suzuki Youko | 480, 483, 500, OP20 | ||
Hashimoto Yoshio | 500 | ||
Hayashi Tomoko | 500 | ||
Hino Takafumi | 500 | ||
Horiuchi Tamako | 500 | ||
Itou Masashi | 500 | ||
Kodaira Maki | 500 | ||
Kubo Tadashi | 500 | ||
Murata Masahiko | 500 | ||
Nakamura Yumi | 500 | ||
Nishimura Aya | 500 | ||
Studio Wombat | 500 | ウォンバット | |
Yabuno Kouji | 500, ED11 | 藪野浩二 | |
Kawano Kouichirou | 500, ED34, ED37, OP4, OP18 | ||
2nd Key Animation (第二原画) | Pierrot Sakuga Shitsu | 3, 186, 290-291, 294, 500 | |
Horikoshi Kumiko | 293, 500 | ||
Nakamura Production | 480, 483, 500 | ||
Studio Sign | 480, 483, 500 | ||
Drop | 500 | ||
Horiuchi Tamako | 500 | ||
Ikebuchi Emi | 500 | ||
Ikeda Akiko | 500 | ||
Kitahara Akio | 500 | ||
Kuwano Yoshiko | 500 | ||
Miyaji Yoshifumi | 500 | ||
Nara Animation | 500 | ||
Studio CL | 500 | ||
Studio Elle | 500 | ||
Sugimoto Manami | 500 | ||
Yoshinuma Hiromi | 500 | ||
倉田きみ | 500 | ||
Yamashita Yuu | 500, OP1 | ||
In-Between Animation Check (動画チェック) | Yamada Reiko | 3, 125, 186, 290-294, 480, 500, ED28, ED32-ED36, OP11, OP16a, OP18-OP20 | |
In-Between Animation (動画) | Pierrot Sakuga Shitsu | 125, 186, 290-293, 480, 483, 500, ED35-ED36, OP18-OP20 | |
ChengPin Donghua | 186, 290-294, 480, 483, 500, ED34, ED36-ED37, OP18-OP20 | ||
Studio Wombat | 186, 290-291, 293, 500, ED37, OP18 | ||
Ikeda Akiko | 293, 483, 500, ED35-ED36 | Pierrot Sakuga Shitsu (ぴえろ作画室) | |
Ariga Shiori | 483, 500 | Pierrot Sakuga Shitsu (ぴえろ作画室) | |
Sugimoto Manami | 483, 500 | Pierrot Sakuga Shitsu (ぴえろ作画室) | |
Colour Specification (色指定) | Nagashima Mayumi | 3, 290, 293, 480, 483, 500, ED36, OP20 | |
Digital Colouring (デジタル彩色) | ChengPin Donghua | 186, 290-294, 480, 483, 500 | |
Pierrot Digital Animation Room | 186, 480, 483, 500 | ||
Finishing/Clean-up Inspection (検査) | Murasaki Izumi | 3, 292, 480, 483, 500 | |
Nagashima Mayumi | 125, 186, 290, 293, 480, 483, 500 | ||
高橋寿美 | 480, 483, 500 | ||
Art (美術) | Takada Shigenori | 291, 293, 482, 500 | |
Background Art (背景) | Studio Wyeth | 3, 125, 290-294, 480, 482, 500, ED28, ED32-ED37, OP11, OP18, OP20 | |
Doi Noriyoshi | 3, 125, 292, 482, 500 | Studio Wyeth (スタジオワイエス) | |
Yokomatsu Norihiko | 125, 290-294, 480, 500, ED28, ED34-ED37 | Studio Wyeth (スタジオワイエス) | |
Taniguchi Michiko | 480, 482, 500 | Studio Wyeth (スタジオワイエス) | |
鶴子友美 | 480, 482, 500 | Studio Wyeth (スタジオワイエス) | |
Kasahara Yuki | 482, 500 | Studio Wyeth (スタジオワイエス) | |
宮崎歩 | 482, 500 | Studio Wyeth (スタジオワイエス) | |
藤田清美 | 482, 500 | Studio Wyeth (スタジオワイエス) | |
Aritou Yasuaki | 500 | ||
Ooiwa Rieko | 500 | ||
Digital Photography (デジタル撮影) | Souda Ayumi | 186, 480-483, 500 | Pierrot Digital Animation Room (ぴえろDAR) |
Koyanagi Kazuko | 480-483, 500 | Pierrot Digital Animation Room (ぴえろDAR) | |
Nagasawa Kaoru | 480-483, 500 | Pierrot Digital Animation Room (ぴえろDAR) | |
Ouji Yukie | 480-483, 500 | Pierrot Digital Animation Room (ぴえろDAR) | |
Pierrot Digital Animation Room | 480-483, 500 | ||
櫻庭佑季 | 480-483, 500 | Pierrot Digital Animation Room (ぴえろDAR) | |
Kimura Nobuo | 500 | ||
CG Effects (CGエフェクト) | Wada Naomi | 290-294, 480-483, 500 | |
Hirooka Yuusuke | 480-483, 500 | ||
Film Editing (ビデオ編集) | Good Job Tokyo | 3, 186, 346, 500 | |
Kawamura Keita | 3, 186, 346, 500 | ||
Nagao Kazuhiro | 500 | ||
Sound Mixing (サウンドミキサー) | Ebina Yasunori | 346, 500 | (サウンドチーム・ドンファン) |
Design Manager (設定制作) | Fukui Nozomi | 480-500 |
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