Episode: Gegege no Kitarou (2018) - 45 - The Truth Lies in the Thicket of the Mannen-dake 2m3d21
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Ogawa Kouji
Shimizu Sorato
Info 64y6q
- Info
- Titles
| Main Title | The Truth Lies in the Thicket of the Mannen-dake (e212513) |
|---|---|
| Official Title | x-jat |
| Official Title | ja |
Having received a letter saying "We are being attacked by the youkai Mannendake," Kitaro travels to a bamboo grove deep in the mountains. The owners of the bamboo grove, a married couple, Masahiko and Kiyomi, Kubota from the tourism association, and Ratman are waiting for him. They wanted to turn the bamboo grove into a tourist spot, but they say that the former owner of the grove, Daikichi, as well as others, have gone missing. As soon as Kitaro steps foot in the grove, he senses youkai energy. A warning to humans is written in blood in the grove, but the study in Daikichi's mansion within the grove is full of bamboo leaves... Suddenly, Masahiko falls silent. When they turn to look, Masahiko has been turned to bamboo...!?
Source: crunchyroll
Source: crunchyroll
Airing Schedule 1o1g2a
Toukai TV
From: 24.02.19 00:00 UTC
Until: 24.02.19 00:30 UTC
songs w4u3u
| Relation | Song | in Episodes | Rating | Credit | Staff | Comment |
|---|---|---|---|---|---|---|
| ending | No.999 | 38-49 | N/A (0) | Vocals/Performed by (歌) | Go! Go! Vanillas | |
| Lyrics (作詞) | Maki Tatsuya | |||||
| Music Composition (作曲) | Maki Tatsuya | |||||
| Music Arrangement (編曲) | Go! Go! Vanillas |
- Staff
- assign existing Cast
- add Cast
- collapse pane
staff 2l3s68
| Credit | Name | in Episodes | Comment |
|---|---|---|---|
| Music Selection (選曲) | Satou Yasuno | ||
| Music Assistance (音楽協力) | Fujipacific Music | ||
| Toei Animation Ongaku Shuppan | |||
| Sound Production (音響製作) | TAVAC | 1-50 | |
| Sound Effects (音響効果) | Nakajima Katsuhiro | Swara Production (スワラ・プロ) | |
| Editing (編集) | Yoshida Kiminori | ||
| Art Direction (美術監督) | Katou Megumi | 39-97 | |
| Photographic Direction (撮影監督) | Ishiyama Tomoyuki | 1-49 | |
| Production Manager (製作担当) | Igeta Keisuke | 1-57 | |
| Oomachi Yoshinori | 1-69 | ||
| Assistant Producer (アシスタントプロデューサー) | Tanigami Kyouko | 1-49 | |
| Assistant Producer (プロデューサー補) | Takami Akira | 1-62 | |
| Planning (企画) | Washio Takashi | 1-49 | |
| Watanabe Kazuya | 1-49 | Yomiko Advertising (読売広告社) | |
| Watanabe Kouya | 7-49 | Fuji TV (フジテレビ) |
| Script/Screenplay (脚本) | Date-san | 21, 40-41, 45, 60, 68, 71, 79, 92 | |
| Storyboard (絵コンテ) | Maejima Ken`ichi | 33, 45, 53, 63, 71, 79 | |
| Episode Direction (演出) | Maejima Ken`ichi | 33, 45, 53, 63 | |
| Animation Direction (作画監督) | Suzuki Shin`ichi | 33, 45, 53, 63, 71, 79, 84, 90 | |
| Key Animation (原画) | Kikuchi Yoshiyuki | 21, 31, 33, 45, 53, 63, 79 | |
| Furusaka Mitsuki | 21, 31, 45, 53, 63, 79 | ||
| Kobayashi Yukari | 31, 33, 45, 90 | ||
| Kishi Yuuya | 31, 45, 53, 63, 71, 79, 90 | ||
| Kanetaka Rika | 33, 45, 53, 63, 71, 79, 84 | ||
| Pan Zhengtian | 33, 45, 53, 63, 71, 79, 90 | ||
| Unno Setsuko | 33, 45, 53, 84 | ||
| Linefarm | 45 | ||
| Yamashita Satoru | 45 | 山下さとる | |
| Imagawa Yoshimi | 45, 53, 63 | ||
| Satou Fusae | 45, 53, 63, 71, 79, 84 | ||
| J-Cube | 45, 53, 63, 71, 79, 84, 90 | ||
| In-Between Animation Inspection (動画検査) | 関可南子 | 33, 45, 53 | |
| In-Between Animation (動画) | Toei Animation Philippines | 1-20, 22-30, 32, 34-43, 45-52, 54-62, 64-70, 72-78, 80-83, 85-89, 91-97 | |
| 加藤由布子 | 21, 45 | ||
| 相澤良介 | 21, 45, 53 | ||
| Big Owl | 33, 45 | ||
| J-Cube | 33, 45, 53, 63, 79, 84, 90 | ||
| Cobos Rai | 45 | ||
| チャン・マイ・ファイ | 45 | ||
| トウ・イリン | 45, 53, 63 | ||
| Colour Specification (色指定) | Nishi Eiko | 45 | 西詠仔 |
| Digital Colouring (デジタル彩色) | Toei Animation Philippines | 1-20, 22-30, 32, 34-52, 54-62, 64-70, 72-78, 80-83, 85-89, 91-97 | |
| Morishima Hitomi | 31, 45, 53, 63, 71, 84 | ||
| Big Owl | 33, 45 | ||
| J-Cube | 33, 45, 53, 63, 71, 79, 84, 90 | ||
| Finishing/Clean-up Inspection (検査) | Nishi Eiko | 45 | 西詠仔 |
| Finishing/Clean-up Manager (仕上進行) | Yanagi Yoshiaki | 1-20, 22-32, 34-52, 54-70, 72-78, 80-83, 85-89, 91-97 | |
| Art (美術) | Katou Megumi | 39-97 | |
| Art Manager (美術進行) | Honda Kento | 1-97 | |
| Background Art (背景) | Bihou | 1-97 | |
| Jutima Rawangngarn | 3-14, 16, 18-20, 22-97 | as R.JUTIMA | |
| Weera Kitrath | 3-14, 16, 18-20, 22-29, 32-97 | as K.WEERA | |
| Supattra Sirinork | 3-5, 8-14, 16, 18-20, 22-97 | as S.SUPATTRA | |
| Pisan Kaewma | 3-5, 8-14, 16, 18-20, 22-26, 29-97 | as K.PISAN | |
| K.NATRANAN | 3, 5, 8-14, 16, 18-20, 22-25, 27-29, 31-32, 39-97 | ||
| T.USANA | 3, 5, 8-14, 16, 18-20, 24-25, 28-29, 32, 38-68, 70-81, 85-97 | ||
| Maysaya Polkam | 3, 5, 9, 15-17, 25, 27-29, 31, 39, 42, 45, 47, 49, 51, 53-57, 59-65, 68-78, 80-84, 88-97 | as P.MAYSAYA | |
| Mori Misae | 4, 11-12, 15-29, 31-54, 56, 58, 60-97 | ||
| B.JUTAMART | 5, 12-15, 17, 40, 43, 45, 54, 58, 62, 65-66, 68, 72, 75, 77, 86, 97 | ||
| Surin Narunartmontree | 17-19, 40, 45, 47, 52, 67, 78, 83, 85, 90 | N.SURIN | |
| 3D Background Modelling (背景3Dモデリング) | Mito Yasushi | 1-97 | |
| Photography (撮影) | 鈴木那智 | 1-49 | |
| Ookubo Jun`ichi | 1-55 | ||
| Asahi Production Miyagi Shiroishi Studio | 1-97 | ||
| 中萌々子 | 1-97 | ||
| 岡田航季 | 1-97 | ||
| 伊藤隆洋 | 1-55, 67-97 | ||
| 田爪幹太 | 33-55 | ||
| Ho Wenhsin | 33-55, 67-97 | ||
| Online Editing (オンライン編集) | Toei Digital Lab | 1-97 | |
| 原田侑 | 24, 26, 28, 30, 32-36, 39-41, 43-45, 47-48, 52, 54, 62-63 | ||
| Recording (記録) | Ogawa Mamiko | 1-51, 53, 55, 57, 59, 61, 63, 65, 71-87 | |
| Recording (録音) | Matsuda Satoru | 1-97 | |
| Recording Assistant (録音助手) | 鈴木慎梧 | 1-97 | |
| Recording Studio (録音スタジオ) | Jinnan Studio | 1-50 | |
| Casting Assistance (キャスティング協力) | 原道太郎 | 1-97 | Aoni Production (青二プロダクション) |
| Publicity (番組宣伝) | Katou Mihoko | 1-49 | |
| Oota Makiko | 1-64 | Fuji TV (フジテレビ) | |
| Assistant Production Manager (製作進行) | 小白井正幸 | 33, 45 | |
| Assistance/Cooperation (協力) | Mizuki Production | 1-97 | |
| 原口智裕 | 1-97 | ||
| Assisting Production (協力プロダクション) | Magic Bus | 21, 33, 45, 53, 63, 71, 79, 84, 90 |
