Main Title | Approach to the Future (e12115) |
---|---|
Official Title | x-jat |
Official Title | ja |
Play Length | 30 min |
Air/Release Date | - |
Tags | flashbackA flashback is a moment where events from the past are recounted. Flashbacks are used primarily to give insight into a character`s mind or to reveal information previously kept from the audience. They normally consist of mostly new content; they are different from and should not be confused with recaps, where old content is shown again for no particular purpose. Generally, to qualify as a flashback, the scene must advance the narrative. The opposite is a flashforward. See also in medias res. |
Rating | 7.22 (11) |
Added by | hidden on 2003-10-30 22:42 |
Edited by | hidden on 2018-03-07 12:58 |
Main Title | Approach to the Future (e12115) |
---|---|
Official Title | x-jat |
Official Title | ja |
Relation | Song | in Episodes | Rating | Credit | Staff | Comment |
---|---|---|---|---|---|---|
opening | Must Be Something | 87-106, OP5 | N/A (5) | Vocals/Performed by (歌手) | Konno Hitomi | |
Lyrics (作詞) | Himeno Shin`ya | |||||
Music Composition (作曲) | Himeno Shin`ya | |||||
Music Arrangement (編曲) | Kazato Shinsuke | |||||
ending | Uchuu no Kakehashi | 87-106, 108, ED4 | N/A (2) | Vocals/Performed by (歌手) | Ogura Kei | |
Lyrics (作詞) | Ogura Kei | |||||
Music Composition (作曲) | Ogura Kei | |||||
Music Arrangement (編曲) | Kazato Shinsuke |
Credit | Name | in Episodes | Comment |
---|---|---|---|
Direction (シリーズディレクター) | Tahara Masatoshi | 87-110 | |
Original Character Design (キャラクター原案) | Motoki Hisatoshi | 27-110 | |
Kume Kazunari | 55-110 | ||
Okuda Matsuri | |||
Character Design (キャラクターデザイン) | Shimizu Keizou | 55-110 | |
Concept Design (コンセプチュアルデザイン) | Katou Naoyuki | 55-110 | |
Mechanical Design (メカニックデザイン) | Tanaka Kiyomi | 27-110 | |
Chief Animation Direction (アニメーションディレクター) | Shimizu Keizou | 55-110 | |
Art Direction (美術監督) | Nagao Hitoshi | 55-110 | |
Art Design (美術デザイン) | Nagao Hitoshi | 55-110 | |
Colour Design (色彩設計) | Itou Hiroko | 55-110 | |
Photographic Direction (撮影監督) | Fujita Masaaki | 87-110 | |
Producer (プロデューサー) | Tahara Masatoshi | 87-110 | |
Kikukawa Yukio | Tokuma Japan (徳間ジャパン) | ||
Work Assistance (制作協力) | Shaft | 87, 90, 93, 96, 99, 102, 105, 108 | |
Work (制作) | K-Factory | 87-110 | |
Production (製作) | Wright Staff | 55-110 | |
ビデオチャンプ | 87-110 | ||
Tokuma Shoten |
Script/Screenplay (脚本) | Kawanaka Shimao | 15-110 | |
Storyboard (絵コンテ) | Asami Takashi | 53, 73, 90, 93, 99 | |
Episode Direction (演出) | Asami Takashi | 73, 78, 85, 87, 90, 93, 99, 105, 108 | |
Animation Direction (作画監督) | Murata Masahiko | 99, 105 | |
Key Animation (原画) | Itou Yoshiaki | 73, 81, 99, 102, 105, 108 | |
Yoneda Mitsuhiro | 78, 85, 99 | ||
Uetani Ken`ichi | 90, 93, 99, 105 | ||
In-Between Animation Check (動画チェック) | Nagaushi Miyuki | 64, 66, 73, 78, 85, 87, 90, 93, 99, 102, 105, 108 | |
In-Between Animation (動画) | Shaft | 63-64, 66, 73, 78, 85, 87, 90, 93, 96, 99 | |
Kuwamoto Mizue | 87, 90, 93, 99, 102, 105, 108 | ||
Watanabe Ryou | 90, 93, 99 | ||
Kozakai Atsushi | 90, 93, 99, 102, 105, 108 | ||
Colour Specification (色指定) | Mitsuhashi Youko | 99, 102, 105, 108 | |
Finishing/Clean-up (仕上) | Shaft | 64, 66, 73, 81, 90, 93, 99, 102, 105, 108 | |
Hasegawa Etsuko | 64, 66, 81, 85, 87, 90, 93, 99, 102, 105, 108 | ||
Kurimoto Yukie | 87, 90, 93, 99, 102, 105, 108 | ||
Abe Emi | 90, 93, 99, 102, 105, 108 | ||
Kanou Tomomi | 90, 93, 99, 102, 105, 108 | ||
Yamazaki Minori | 90, 93, 99, 102, 105, 108 | ||
Fukuhara Natsuko | 99, 102, 105, 108 | ||
Special Effects (特殊効果) | Hibino Hitoshi | 87, 90, 93, 96, 99, 102, 105, 108 | |
Photography (撮影) | Adlib | 87, 90, 93, 99 | |
Kozawa Tsuguo | 87, 90, 93, 99 | ||
Yamamoto Takuma | 87, 90, 93, 99 | ||
Yamazaki Mayumi | 87, 90, 93, 99 | ||
Production Desk (制作デスク) | Kubota Mitsutoshi | 87, 90, 93, 96, 99, 102, 105, 108 | |
Production Office Work (制作事務) | Nishimaki Shizuko | 87, 90, 93, 96, 99, 102, 105, 108 | |
Production Manager (制作担当) | Kubota Mitsutoshi | 87, 90, 93, 96, 99, 102, 105, 108 |
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