Episode: Gegege no Kitarou (2018) - 94 - The Lazy Fujimi Hot Springs Bus Trip 3u4r69
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Ogawa Kouji
Shimizu Sorato
Info 64y6q
- Info
- Titles
| Main Title | The Lazy Fujimi Hot Springs Bus Trip (e226624) |
|---|---|
| Official Title | x-jat |
| Official Title | ja |
| Play Length | 25 min |
| Air/Release Date | 23.02.2020 |
| Tags | hot springs visitAn onsen is a term for hot springs in the Japanese language, though the term is often used to describe the bathing facilities and inns around the hot springs. Often the cast of a show somehow ends up going to an onsen because of various reasons, such as winning a lottery ticket. |
| Resources | |
| Rating | N/A (1) |
| Added by | hidden on 2020-02-02 05:27 |
| Edited by | hidden on 2020-07-10 22:25 |
| Main Title | The Lazy Fujimi Hot Springs Bus Trip (e226624) |
|---|---|
| Official Title | x-jat |
| Official Title | ja |
In place of Ratman who cancelled at the last minute, Mana s Kitaro and the others on their trip. They're headed to an inn exclusive to youkai - the Immortal Onsen. Everyone's getting the most out of the hot springs, but suddenly, the inn is wrapped in an unsettling noise. The source is underground, the riotous energy from Mt. Fuji. Appeasing it is the job of the owner of the inn, but the current proprietress, Nebutori, is so fat she can't always do her work. Mana offers to serve in her place. Mana and Kitaro go into the caves of Mt. Fuji, and a huge shadow closes in on them...!?
Source: crunchyroll
Source: crunchyroll
Airing Schedule 1o1g2a
Toukai TV
From: 23.02.20 00:00 UTC
Until: 23.02.20 00:30 UTC
songs w4u3u
| Relation | Song | in Episodes | Rating | Credit | Staff | Comment |
|---|---|---|---|---|---|---|
| ending | A.M.D.K.J. | 87-97 | N/A (0) | Vocals/Performed by (歌) | Scandal | |
| Lyrics (作詞) | Rina | |||||
| Music Composition (作曲) | Mami | |||||
| Music Arrangement (編曲) | Mami |
- Cast
- Staff
- collapse pane
Cast 4f6q1c
appears 226928
staff 2l3s68
| Credit | Name | in Episodes | Comment |
|---|---|---|---|
| Music Selection (選曲) | Satou Yasuno | ||
| Music Assistance (音楽協力) | Fujipacific Music | ||
| Toei Animation Ongaku Shuppan | |||
| Sound Effects (音響効果) | Nakajima Katsuhiro | Swara Production (スワラ・プロ) | |
| Editing (編集) | Yoshida Kiminori | ||
| Art Direction (美術監督) | Katou Megumi | 39-97 | |
| Photographic Direction (撮影監督) | 鈴木那智 | 50-97 | |
| Production Manager (製作担当) | Fujioka Kazumi | 70-97 | |
| Producer (プロデューサー) | Takami Akira | 63-97 | |
| Assistant Producer (プロデューサー補) | Hashimoto Shintarou | 63-97 |
| Script/Screenplay (脚本) | Kingetsu Ryuunosuke | 5, 23-24, 27-28, 30, 34, 54, 58, 81-82, 89, 94-95 | |
| Storyboard (絵コンテ) | Matsumi Wataru | 94, ED2 | |
| Episode Direction (演出) | Matsumi Wataru | 69, 94, ED2 | |
| Assistant Episode Direction (演出助手) | Ezure Aki | 74, 78, 83, 91, 94 | |
| Animation Direction (作画監督) | Fujiwara Mikio | 12, 22, 29, 41, 49, 60-61, 73, 86, 94, C8 | |
| Key Animation (原画) | Urata Yukihiro | 1-3, 12, 19, 28, 37, 94 | |
| Kubo Hidemi | 1, 3, 7, 12, 16, 22, 28, 37, 42, 49, 54, 56, 62, 67, 86, 94, 96, ED2 | ||
| Yokoyama Miyuki | 1, 4, 8, 10-14, 16, 18-19, 24, 26-27, 35-37, 41, 43, 49-50, 52, 56, 58, 61, 67, 70, 73, 77-78, 85-86, 93-94, ED2 | ||
| Fujiwara Mikio | 1, 8, 12, 19, 22, 27, 29, 49, 56, 60, 69, 72-74, 94, C7-C8, ED1, OP1a | ||
| Takano Tooru | 2, 4, 19-20, 22, 24, 26-29, 36-37, 58, 68-69, 73-74, 78, 81, 94, ED2 | ||
| Hoshikawa Nobuyoshi | 3, 7, 11, 16, 23, 27, 30, 35, 38, 42, 47, 51, 54, 58, 61, 68, 72, 77, 81, 88, 91, 94 | ||
| Kuroyanagi Kenji | 4, 14, 35, 39, 49, 54, 69, 83, 88, 94 | ||
| Gorai Takayuki | 12, 19, 22, 29, 36, 41, 48, 56, 61, 68, 72, 81, 83, 94 | ||
| Nakatsu Kazumi | 54, 56, 62, 69, 72, 74, 83, 93-96 | ||
| 李媛莉 | 67-70, 72, 74, 88, 94-95 | ||
| Takizawa Mayuu | 94 | ||
| 若林紗綾 | 94 | ||
| In-Between Animation Inspection (動画検査) | Omizu Yuuki | 1-20, 22-30, 32, 34-44, 46-52, 54-62, 64-66, 68-70, 72-78, 80-83, 85-89, 91-97 | |
| 李媛莉 | 64-68, 72-78, 80-83, 85-89, 91-97 | ||
| In-Between Animation (動画) | Toei Animation Philippines | 1-20, 22-30, 32, 34-43, 45-52, 54-62, 64-70, 72-78, 80-83, 85-89, 91-97 | |
| Kagura | 3-7, 9-11, 15-16, 22, 25, 34, 37, 39-40, 42, 44, 46, 49-51, 66, 75, 85-88, 93-95, 97 | ||
| Asahi Production | 3, 6, 8-20, 22-24, 26-30, 34, 36-39, 42, 46, 48-49, 51-52, 54-56, 58, 64, 67, 75, 77, 82, 85, 88-89, 93-97 | ||
| Omizu Yuuki | 23, 26, 28, 37-38, 42, 47, 49, 51, 54, 58, 60, 65, 69, 94 | ||
| Kashikuma Shin | 78, 85-86, 94 | ||
| Iida Hanao | 78, 85, 94 | ||
| 都丸千歌 | 78, 85, 94 | ||
| Colour Specification (色指定) | Aizawa Rika | 29, 35, 41, 47, 49, 51, 55, 57, 59, 61, 64, 66, 68, 70, 73, 75, 77, 80, 82, 85, 87, 89, 92, 94, 96 | |
| Digital Colouring (デジタル彩色) | Toei Animation Philippines | 1-20, 22-30, 32, 34-52, 54-62, 64-70, 72-78, 80-83, 85-89, 91-97 | |
| Kagura | 1-7, 9-11, 15-16, 20, 22-25, 34-35, 37, 39-40, 42, 44, 46, 49-52, 54-55, 60, 62, 66, 75, 78, 80, 85-88, 93-95, 97 | ||
| Asahi Production | 3, 8-20, 22-24, 26-30, 34, 36-39, 42, 46, 48-49, 51-52, 54-56, 58, 64-65, 67, 74-75, 77, 82, 85, 88-89, 93-97 | ||
| Finishing/Clean-up Inspection (検査) | Aizawa Rika | 29, 35, 41, 47, 49, 51, 55, 57, 59, 61, 64, 66, 68, 70, 73, 75, 77, 80, 82, 85, 87, 89, 92, 94, 96 | |
| Finishing/Clean-up Manager (仕上進行) | Yanagi Yoshiaki | 1-20, 22-32, 34-52, 54-70, 72-78, 80-83, 85-89, 91-97 | |
| Art (美術) | Katou Megumi | 39-97 | |
| Art Manager (美術進行) | Honda Kento | 1-97 | |
| Background Art (背景) | Bihou | 1-97 | |
| Jutima Rawangngarn | 3-14, 16, 18-20, 22-97 | as R.JUTIMA | |
| Weera Kitrath | 3-14, 16, 18-20, 22-29, 32-97 | as K.WEERA | |
| Supattra Sirinork | 3-5, 8-14, 16, 18-20, 22-97 | as S.SUPATTRA | |
| Pisan Kaewma | 3-5, 8-14, 16, 18-20, 22-26, 29-97 | as K.PISAN | |
| K.NATRANAN | 3, 5, 8-14, 16, 18-20, 22-25, 27-29, 31-32, 39-97 | ||
| T.USANA | 3, 5, 8-14, 16, 18-20, 24-25, 28-29, 32, 38-68, 70-81, 85-97 | ||
| Maysaya Polkam | 3, 5, 9, 15-17, 25, 27-29, 31, 39, 42, 45, 47, 49, 51, 53-57, 59-65, 68-78, 80-84, 88-97 | as P.MAYSAYA | |
| Mori Misae | 4, 11-12, 15-29, 31-54, 56, 58, 60-97 | ||
| Pakrada Bawonteerapak | 80-84, 94 | B.PAKRADA | |
| Tarateeraparp Natcha | 88, 94, 97 | as T.NATCHA | |
| 3D Background Modelling (背景3Dモデリング) | Mito Yasushi | 1-97 | |
| Photography (撮影) | Asahi Production Miyagi Shiroishi Studio | 1-97 | |
| 中萌々子 | 1-97 | ||
| 岡田航季 | 1-97 | ||
| 伊藤隆洋 | 1-55, 67-97 | ||
| 長谷部祐介 | 1-32, 50-55, 67-97 | ||
| Ho Wenhsin | 33-55, 67-97 | ||
| 向坊歩 | 67-97 | ||
| 羽間光良 | 67-97 | ||
| Online Editing (オンライン編集) | Toei Digital Lab | 1-97 | |
| 鶏冠井健人 | 64, 66-74, 76-78, 80-81, 83-88, 90, 92-95, 97 | ||
| Recording (記録) | 縫部萌 | 88-97 | |
| Recording (録音) | Matsuda Satoru | 1-97 | |
| Recording Assistant (録音助手) | 鈴木慎梧 | 1-97 | |
| Recording Studio (録音スタジオ) | TAVAC | 51-97 | |
| Casting Assistance (キャスティング協力) | 原道太郎 | 1-97 | Aoni Production (青二プロダクション) |
| Publicity (番組宣伝) | 中台郁美 | 50-97 | |
| 瀬川ネリ | 65-97 | Fuji TV (フジテレビ) | |
| 露木志保 | 77-97 | ||
| Assistant Production Manager (製作進行) | Mihara Maki | 67, 76, 81, 88, 94 | |
| Assistance/Cooperation (協力) | Mizuki Production | 1-97 | |
| 原口智裕 | 1-97 |
